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s 1943 essay ‘We Refugees’
its vibrant color scheme and overall design
in places where institutions fail them
presenting an assault on the homogeneity of mass-produced garments
Brutalist Italy football s 1943 essay ‘We Refugees’Architectural photographers Roberto Conte and Stefano Perego (authors of Soviet Asia) have spent the past five years travelling over 20,000 kilometres documenting the monumental concrete structures of their native country. Brutalism with its minimalist aesthetic, favouring raw materials and structural elements over decorative design has a complex relationship with Italian history. After World War II, Italian architects were keen to distance themselves
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